A little later than planned, I finally finished my England postcard. I steered clear of all the stereotypes like cups of tea and bowler hats and went for a countryside scene instead.
When it comes to English artists, top of the list for me is David Hockney. I knew he'd done a lot of countryside pieces recently, using his iPad, but I wanted to see if he'd touched on this in any of his older work. I found a couple of perfect images to inspire me and ended up going with 'Road across the Wolds' from 1997. This is Hockney's original...
...and my rather poor tribute...
I wish I had been able to capture the vibrancy of the original but until I own the full palette of Promarkers (yeh right!) I have to make do with the limited colours I own.
I love the patchwork of fields showing various crops and those hay bales. This really sums up England to me.
Here's the reverse of the card...
Showing posts with label Postcard Challenge 2012. Show all posts
Showing posts with label Postcard Challenge 2012. Show all posts
Sunday, 3 June 2012
Postcard Challenge - England
Monday, 21 May 2012
Postcard Challenge - West Africa
After a bit of a hiatus from the Postcard Challenge I'm back in the game. This week's country was actually a collection of countries under the umbrella term 'West Africa'.
The pattern on the left hand side of the card is an example of a kente cloth design, a fabric native to the Akan people. This was drawn in pencil and coloured with promarkers. For the rest of the card I applied some Antique Linen and Tea Dye Distress Inks for the background. I then created the figures with my Promarkers. I've added the Senegal flag, although I've since realised that the Akan people didn't live in Senegal - oops.
For the stamp I have drawn and coloured an adinkra symbol, known as Sankofa. It is a bird looking backwards and is symbolic of learning from our past.
The pattern on the left hand side of the card is an example of a kente cloth design, a fabric native to the Akan people. This was drawn in pencil and coloured with promarkers. For the rest of the card I applied some Antique Linen and Tea Dye Distress Inks for the background. I then created the figures with my Promarkers. I've added the Senegal flag, although I've since realised that the Akan people didn't live in Senegal - oops.
For the stamp I have drawn and coloured an adinkra symbol, known as Sankofa. It is a bird looking backwards and is symbolic of learning from our past.
Saturday, 31 March 2012
Art and Sole Postcard Challenge Week 12 - Israel
Wow, I'm SO behind on blogging my Postcards! I'm also behind on making them as I've missed loads of countries so far; Belgium, Wales, Cuba, Switzerland, Canada, and The Netherlands. However, I do reserve the right to scoot back to one or all of them over the course of the year.
So, week 12 took us to Israel. I did a search for Israeli artists and came across the work of Samy Briss (sometimes known as Sami Briss). Born in 1930, he had his first solo exhibition in 1967 and went on to become one of Israel's most popular artists. I like his mix of Cubist and Byzantine styles as they end up looking whimsical and much like some of the 'whimsy' artists popular online today (e.g. Willowing).
This is my version of his painting 'Song of Love'...
...and the reverse shows the correspondence from 'S' to 'Min':-
S x
So, week 12 took us to Israel. I did a search for Israeli artists and came across the work of Samy Briss (sometimes known as Sami Briss). Born in 1930, he had his first solo exhibition in 1967 and went on to become one of Israel's most popular artists. I like his mix of Cubist and Byzantine styles as they end up looking whimsical and much like some of the 'whimsy' artists popular online today (e.g. Willowing).
This is my version of his painting 'Song of Love'...
...and the reverse shows the correspondence from 'S' to 'Min':-
My little Min(x),
I will be happy to help you drink said Champagne, as long as you don't expect me to drink it from your shoe - I know you've been on your feet all day and those shoes will honk! ;P
I see you're off to Turkey next week - maybe you could sort me out some 'delight'??...
Yours hopefully,
Wednesday, 8 February 2012
Art and Sole Postcard Challenge Week 5 - France
A rather delayed postcard this week but I'm still thrilled that it's materialised at all as I felt it was beyond my capabilities at one point.
The country this week was France. For some strange reason, rather than the usual symbols of French life (the flag, Eiffel Tower, Moulin Rouge etc) I immediately thought of Jules Verne. Verne wrote science fiction novels in the late 1800s, many of which were made into feature films, and I've incorporated elements of four of these into my postcard.
The moon (with 'rocket' stuck in one eye) is from 'From the Earth to the Moon'. The Giant toadstools and flying Pterodactyl are from the novel 'Journey to the Centre of the Earth'. The hot air balloon is a nod to the famous 'Around the World in 80 Days' and the Giant Squid (attacking 'The Nautilus') is from '20,000 Leagues Under the Sea'.
The country this week was France. For some strange reason, rather than the usual symbols of French life (the flag, Eiffel Tower, Moulin Rouge etc) I immediately thought of Jules Verne. Verne wrote science fiction novels in the late 1800s, many of which were made into feature films, and I've incorporated elements of four of these into my postcard.
The moon (with 'rocket' stuck in one eye) is from 'From the Earth to the Moon'. The Giant toadstools and flying Pterodactyl are from the novel 'Journey to the Centre of the Earth'. The hot air balloon is a nod to the famous 'Around the World in 80 Days' and the Giant Squid (attacking 'The Nautilus') is from '20,000 Leagues Under the Sea'.
Friday, 27 January 2012
Art and Sole Postcard Challenge Week 4 - China
Despite drawing a blank initially I've loved creating my postcard for this week's challenge. The country this week is China and I finally settled on a close-up portrait of a Lion Dancer.
First sketch....
Finished postcard....
The chinese symbols mean Happiness and Luck, which is what the Lion Dance, if performed properly, is supposed to bring to the community. The dance is traditionally performed at Chinese New Year and at the opening of new buildings etc.
Something I learned from my research is that the Lion dance is only ever performed by two people, but it is often confused with the Dragon dance, which is always performed by more than two people. The Dragon costume is also traditionally held on poles, as opposed to the Lion which is hand-held.
The reverse of the postcard...
First sketch....
Finished postcard....
The chinese symbols mean Happiness and Luck, which is what the Lion Dance, if performed properly, is supposed to bring to the community. The dance is traditionally performed at Chinese New Year and at the opening of new buildings etc.
Something I learned from my research is that the Lion dance is only ever performed by two people, but it is often confused with the Dragon dance, which is always performed by more than two people. The Dragon costume is also traditionally held on poles, as opposed to the Lion which is hand-held.
The reverse of the postcard...
Sunday, 22 January 2012
Art and Sole Postcard Challenge Week 3 - Brazil
Week 3 in Darcy's challenge (details here) brings us to Brazil, home of the (in)famous Rio Carnival, delicious coffee and Samba.
I was all set to go with the carnival theme as I love the sparkle and bright colours involved, but my mojo disagreed. When the ideas don't flow it's usually because my mojo isn't happy with the path I've chosen. Fussy little blighter my mojo... So, I gave it a re-think and looked into Brazillian artists instead. One person stood out from the rest and still satisfied my need for bright and bold. Step forward Romero Britto - Brazillian Pop Artist and fave of the Rich and Famous apparently!
Although not one of his most famous works, I was drawn to his piece called 'Outre Beijo' (Another Kiss). I loved the relationship between the two subjects and the way Britto shows the man with a heart on his cheek (maybe another way of saying he wears his heart on his sleeve?).
I decided to make some changes to the composition for my interpretation of this work; primarily, changing the layout to portrait rather than landscape. By doing this I was able to elevate the woman much higher than the man to emphasise what I took to be her indifference to his romantic offerings.
I was all set to go with the carnival theme as I love the sparkle and bright colours involved, but my mojo disagreed. When the ideas don't flow it's usually because my mojo isn't happy with the path I've chosen. Fussy little blighter my mojo... So, I gave it a re-think and looked into Brazillian artists instead. One person stood out from the rest and still satisfied my need for bright and bold. Step forward Romero Britto - Brazillian Pop Artist and fave of the Rich and Famous apparently!
Although not one of his most famous works, I was drawn to his piece called 'Outre Beijo' (Another Kiss). I loved the relationship between the two subjects and the way Britto shows the man with a heart on his cheek (maybe another way of saying he wears his heart on his sleeve?).
I decided to make some changes to the composition for my interpretation of this work; primarily, changing the layout to portrait rather than landscape. By doing this I was able to elevate the woman much higher than the man to emphasise what I took to be her indifference to his romantic offerings.
I added the 'Brasil' (deliberate use of Brazillian spelling!) to make it look more like a postcard for the country.
I had such fun drawing and colouring this and I'm loving the journey this challenge is taking me on. I feel real creative freedom and there's no pressure because it's just for fun too.
I've not managed to get a pic of the back but it's sent from 'Min' to the mysterious 'S' and reads:
"Dearest S,
A surprise shift change has left me in Rio during carnival week!!
You'd love it here, all those chests and bums on show - you'd be in your element!
Love Min x
P.S. Did I mention it was Gay Carnival?? ;P"
Finally, I just wanted to share this lovely Brazillian folk tale I found during my research. It's written by Elsie Eells....
In Brazil the beetles have such beautifully coloured, hard-shelled coats upon their backs that they are often set in pins and necklaces like precious stones. Once upon a time, years and years ago, they had ordinary plain brown coats. This is how it happened that the Brazilian beetle earned a new coat.
One day a little brown beetle was crawling along a wall when a big grey rat ran out of a hole in the wall and looked down scornfully at the little beetle. "O ho!" he said to the beetle, "how slowly you crawl along. You'll never get anywhere in the world. Just look at me and see how fast I can run."
The big grey rat ran to the end of the wall, wheeled around, and came back to the place where the little beetle was slowly crawling along at only a tiny distance from where the rat had left her.
"Don't you wish that you could run like that?" said the big grey rat to the little brown beetle.
"You are surely a fast runner," replied the little brown beetle politely. Her mother had taught her always to be polite and had often said to her that a really polite beetle never boasts about her own accomplishments. The little brown beetle never boasted a single boast about the things she could do. She just went on slowly crawling along the wall.
A bright green and gold parrot in the mango tree over the wall had heard the conversation. "How would you like to race with the beetle?" he asked the big grey rat. "I live next door to the tailor bird," he added, "and just to make the race exciting I'll offer a bright coloured coat as a prize to the one who wins the race. You may choose for it any colour you like and I'll have it made to order."
"I'd like a yellow coat with stripes like the tiger's," said the big grey rat, looking over his shoulder at his gaunt grey sides as if he were already admiring his new coat.
"I'd like a beautiful, bright coloured new coat, too," said the little brown beetle.
The big grey rat laughed long and loud until his gaunt grey sides were shaking. "Why, you talk just as if you thought you had a chance to win the race," he said, when he could speak.
The bright green and gold parrot set the royal palm tree at the top of the cliff as the goal of the race. He gave the signal to start and then he flew away to the royal palm tree to watch for the end of the race.
The big grey rat ran as fast as he could. Then he thought how very tired he was getting. "What's the use of hurrying?" he said to himself. "The little brown beetle can not possibly win. If I were racing with somebody who could really run it would be very different." Then he started to run more slowly but every time his heart beat it said, "Hurry up! Hurry up!" The big grey rat decided that it was best to obey the little voice in his heart so he hurried just as fast as he could.
When he reached the royal palm tree at the top of the cliff he could hardly believe his eyes. He thought he must be having a bad dream. There was the little brown beetle sitting quietly beside the bright green and gold parrot. The big grey rat had never been so surprised in all his life. "How did you ever manage to run fast enough to get here so soon?" he asked the little brown beetle as soon as he could catch his breath.
The little brown beetle drew out the tiny wings from her sides. "Nobody said anything about having to run to win the race," she replied, "so I flew instead."
"I did not know that you could fly," said the big grey rat in a subdued little voice.
"After this," said the bright green and gold parrot, "never judge any one by his looks alone. You never can tell how often or where you may find concealed wings. You have lost the prize."
Until this day, even in Brazil where the flowers and birds and beasts and insects have such gorgeous colouring, the rat wears a plain dull grey coat.
Then the parrot turned to the little brown beetle who was waiting quietly at his side. "What colour do you want your new coat to be?" he asked.
The little brown beetle looked up at the bright green and gold parrot, at the green and gold palm trees above their heads, at the green mangoes with golden flushes on their cheeks lying on the ground under the mango trees, at the golden sunshine upon the distant green hills. "I choose a coat of green and gold," she said.
From that day to this the Brazilian beetle has worn a coat of green with golden lights upon it.
For years and years the Brazilian beetles were all very proud to wear green and gold coats like that of the beetle who raced with the rat.
Then, once upon a time, it happened that there was a little beetle who grew discontented with her coat of green and gold. She looked up at the blue sky and out at the blue sea and wished that she had a blue coat instead. She talked about it so much that finally her mother took her to the parrot who lived next to the tailor bird.
"You may change your coat for a blue one," said the parrot, "but if you change you'll have to give up something."
"Oh, I'll gladly give up anything if only I may have a blue coat instead of a green and gold one," said the discontented little beetle.
When she received her new coat she thought it was very beautiful. It was a lovely shade of blue and it had silvery white lights upon it like the light of the stars. When she put it on, however, she discovered that it was not hard like the green and gold one. From that day to this the blue beetles' coats have not been hard and firm. That is the reason why the jewellers have difficulty in using them in pins and necklaces like other beetles.
From the moment that the little beetle put on her new blue coat she never grew again. From that day to this the blue beetles have been much smaller than the green and gold ones.
When the Brazilians made their flag they took for it a square of green the colour of the green beetle's coat. Within this square they placed a diamond of gold like the golden lights which play upon the green beetle's back. Then, within the diamond, they drew a circle to represent the round earth and they coloured it blue like the coat of the blue beetle. Upon the blue circle they placed stars of silvery white like the silvery white lights on the back of the blue beetle. About the blue circle of the earth which they thus pictured they drew a band of white, and upon this band they wrote the motto of their country, "Ordem e Progresso, order and progress."
One day a little brown beetle was crawling along a wall when a big grey rat ran out of a hole in the wall and looked down scornfully at the little beetle. "O ho!" he said to the beetle, "how slowly you crawl along. You'll never get anywhere in the world. Just look at me and see how fast I can run."
The big grey rat ran to the end of the wall, wheeled around, and came back to the place where the little beetle was slowly crawling along at only a tiny distance from where the rat had left her.
"Don't you wish that you could run like that?" said the big grey rat to the little brown beetle.
"You are surely a fast runner," replied the little brown beetle politely. Her mother had taught her always to be polite and had often said to her that a really polite beetle never boasts about her own accomplishments. The little brown beetle never boasted a single boast about the things she could do. She just went on slowly crawling along the wall.
A bright green and gold parrot in the mango tree over the wall had heard the conversation. "How would you like to race with the beetle?" he asked the big grey rat. "I live next door to the tailor bird," he added, "and just to make the race exciting I'll offer a bright coloured coat as a prize to the one who wins the race. You may choose for it any colour you like and I'll have it made to order."
"I'd like a yellow coat with stripes like the tiger's," said the big grey rat, looking over his shoulder at his gaunt grey sides as if he were already admiring his new coat.
"I'd like a beautiful, bright coloured new coat, too," said the little brown beetle.
The big grey rat laughed long and loud until his gaunt grey sides were shaking. "Why, you talk just as if you thought you had a chance to win the race," he said, when he could speak.
The bright green and gold parrot set the royal palm tree at the top of the cliff as the goal of the race. He gave the signal to start and then he flew away to the royal palm tree to watch for the end of the race.
The big grey rat ran as fast as he could. Then he thought how very tired he was getting. "What's the use of hurrying?" he said to himself. "The little brown beetle can not possibly win. If I were racing with somebody who could really run it would be very different." Then he started to run more slowly but every time his heart beat it said, "Hurry up! Hurry up!" The big grey rat decided that it was best to obey the little voice in his heart so he hurried just as fast as he could.
When he reached the royal palm tree at the top of the cliff he could hardly believe his eyes. He thought he must be having a bad dream. There was the little brown beetle sitting quietly beside the bright green and gold parrot. The big grey rat had never been so surprised in all his life. "How did you ever manage to run fast enough to get here so soon?" he asked the little brown beetle as soon as he could catch his breath.
The little brown beetle drew out the tiny wings from her sides. "Nobody said anything about having to run to win the race," she replied, "so I flew instead."
"I did not know that you could fly," said the big grey rat in a subdued little voice.
"After this," said the bright green and gold parrot, "never judge any one by his looks alone. You never can tell how often or where you may find concealed wings. You have lost the prize."
Until this day, even in Brazil where the flowers and birds and beasts and insects have such gorgeous colouring, the rat wears a plain dull grey coat.
Then the parrot turned to the little brown beetle who was waiting quietly at his side. "What colour do you want your new coat to be?" he asked.
The little brown beetle looked up at the bright green and gold parrot, at the green and gold palm trees above their heads, at the green mangoes with golden flushes on their cheeks lying on the ground under the mango trees, at the golden sunshine upon the distant green hills. "I choose a coat of green and gold," she said.
From that day to this the Brazilian beetle has worn a coat of green with golden lights upon it.
For years and years the Brazilian beetles were all very proud to wear green and gold coats like that of the beetle who raced with the rat.
Then, once upon a time, it happened that there was a little beetle who grew discontented with her coat of green and gold. She looked up at the blue sky and out at the blue sea and wished that she had a blue coat instead. She talked about it so much that finally her mother took her to the parrot who lived next to the tailor bird.
"You may change your coat for a blue one," said the parrot, "but if you change you'll have to give up something."
"Oh, I'll gladly give up anything if only I may have a blue coat instead of a green and gold one," said the discontented little beetle.
When she received her new coat she thought it was very beautiful. It was a lovely shade of blue and it had silvery white lights upon it like the light of the stars. When she put it on, however, she discovered that it was not hard like the green and gold one. From that day to this the blue beetles' coats have not been hard and firm. That is the reason why the jewellers have difficulty in using them in pins and necklaces like other beetles.
From the moment that the little beetle put on her new blue coat she never grew again. From that day to this the blue beetles have been much smaller than the green and gold ones.
When the Brazilians made their flag they took for it a square of green the colour of the green beetle's coat. Within this square they placed a diamond of gold like the golden lights which play upon the green beetle's back. Then, within the diamond, they drew a circle to represent the round earth and they coloured it blue like the coat of the blue beetle. Upon the blue circle they placed stars of silvery white like the silvery white lights on the back of the blue beetle. About the blue circle of the earth which they thus pictured they drew a band of white, and upon this band they wrote the motto of their country, "Ordem e Progresso, order and progress."
Saturday, 14 January 2012
Art and Sole Postcard Challenge Week 2 - Spain
I chose to make my postcard a drawing of one of the skull-like balconies and worked from this image....
...resulting in this postcard...
You might be wondering who that fella on the stamp is. Well, he's not just some random Spaniard; it is Alexandre Deulofeu, originally a pharmacist from the town of Figueres, who became a politician and philosopher. Salvador Dali began to incorporate this 'Chemist of Figueres' into several of his paintings, for what reason i'm not sure. I find it fascinating how Dali included him in so many paintings; sometimes obviously, like in 'The Chemist of Figueres Looks For Nothing At All'...
...sometimes less obvious, as in his inclusion in 'Swans Reflecting Elephants' (can you see him on the left?)...
...and sometimes you can barely see him as he's a tiny figure in the background!
Friday, 6 January 2012
Art and Sole Postcard Challenge Week 1 - Austria
Here we are at week one of Darcy's Postcard Challenge and the first stop is AUSTRIA. As I'd just treated myself to a Klimt inspired digi image it was perfect timing to choose the home of that fabulous artist Gustav Klimt.
I printed the digi onto canvas paper and coloured the image with Promarkers. Boy was I glad that my Sister got me some fine nib attachments for Christmas!! I've also used Distress Inks in Antique Linen and Tea Dye, as well as adding some gold card highlights cut from a Christmas card I received (upcycling - got to love it!).
Here's a close-up showing how lovely and sparkly those gold bits are.
The back of my postcard shows the beginning of correspondence between two people who have never met...yet. 'M' is sending the postcard to 'S' - a Mr S Sullivan of Brighton. But who is M? How does she know of Mr S, and why does she think she can get away with being so downright flirty?!?
Who knows where the journey will take them next week?.....
I printed the digi onto canvas paper and coloured the image with Promarkers. Boy was I glad that my Sister got me some fine nib attachments for Christmas!! I've also used Distress Inks in Antique Linen and Tea Dye, as well as adding some gold card highlights cut from a Christmas card I received (upcycling - got to love it!).
Here's a close-up showing how lovely and sparkly those gold bits are.
The back of my postcard shows the beginning of correspondence between two people who have never met...yet. 'M' is sending the postcard to 'S' - a Mr S Sullivan of Brighton. But who is M? How does she know of Mr S, and why does she think she can get away with being so downright flirty?!?
Who knows where the journey will take them next week?.....
Monday, 2 January 2012
An exciting new project for 2012
Happenstance [hap-uh
n-stans]-
n-stans]- - a film starring one of my favourite actresses, Audrey Tautou.
- a chance happening or event.
Purely by chance I saw a post on Darcy Wilkinson's blog, Art and Sole signalling the start of the Postcard Challenge 2012. I had no idea what it was about but, quite frankly, I'd had a glass of wine and was intrigued ;)
The challenge is inspired by Nick Bantock's book 'Griffin and Sabine' (which I've now ordered from Amazon), which chronicles the correspondence between two strangers in the format of a book of removable postcards.
Details of the challenge can be found here and I'll be posting pics and more details of my entries as I complete them.
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